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Meet Aaron. He’s an Oscar winner, a TV hitmaker, and the author of the a few of the smartest dramas ever to hit the display. And now, he’s your teacher.


Intention & Impediment

Each nice story is born from intentions and obstacles. Discover ways to construct the “drive shaft” that may set your script in movement.


Story Concepts

How have you learnt in case your concept is nice sufficient to show right into a script? Aaron walks you thru the steps each author ought to take to check an concept—and resolve whether or not it should work finest in TV or movie.

Present all 35 Classes


Growing Characters: Half 1

Aaron shares a few of the choices he made to develop a few of his most unforgettable characters—like The Social Community’s Mark Zuckerberg and The West Wing’s Toby and Leo.


Growing Characters: Half 2

Your characters don’t should be such as you—and even likeable. Drawing on examples from A Few Good Males and Steve Jobs, Aaron explains why he at all times empathizes together with his characters even when he disagrees with them.



Good analysis is the important thing to an awesome script. Unhealthy analysis is a waste of time. How will you inform the distinction? Aaron shares classes from Malice and The Social Community that will help you collect the knowledge you actually need.


Incorporating Analysis

You’ve pages of analysis—now what? Keep away from clunky exposition and discover ways to seamlessly weave analysis into your story.


The Viewers

Aaron is aware of that the viewers isn’t simply watching his work. They’re taking part in it, too. Discover ways to write tales that may preserve them engaged and entertained.


Guidelines of Story

The foundations of nice drama aren’t new. Right here, Aaron explains how most of them had been laid out greater than 2,000 years in the past by Aristotle in his Poetics, and easy methods to use these classes to develop into a diagnostician to your personal story concepts.


Movie Story Arc

Web page numbers don’t sound thrilling, however they’re an awesome device for monitoring the act-structure and pacing of your story.


Writing Habits

Even Aaron will get author’s block. Learn the way he will get unstuck and what writing instruments he makes use of to ensure he’s prepared when inspiration strikes.


Group Workshop: Untitled by JJ Braider

Whereas workshopping J.J.’s script, Aaron shares his recommendations on writing motion scenes that transfer as quick on the web page as they’ll on the display.


Group Workshop: E is for Edie by Jeanie Bergen

The offbeat characters in Jeanie’s script are a success with Aaron, who warns in regards to the risks of getting suggestions from close-minded studio execs. (Warning: express content material).


Group Workshop: Continual by Roland Zaleski

Discussing Roland’s script, Aaron reveals a easy trick that writers can use to justify inconceivable occasions of their tales.


Group Workshop: The Merc by Evelyn Yves

Evelyn’s TV pilot kicks off a dialog about opening scenes and the significance of exhibiting your viewers one thing they’ve by no means seen earlier than.


Group Workshop: From Right here to Alli by Corey Wright

After workshopping Corey’s script and studying about his background, Aaron discusses the significance of getting confidence as a author, and shares his personal origin story, beginning together with his days as a struggling New York actor.


Writing Scenes: Half 1

A terrific story is greater than only a assortment of nice scenes. Discover ways to give your script momentum from one beat to the subsequent.


Writing Scenes: Half 2

Your script solely has one opening scene. Make it memorable by introducing your theme, grabbing the viewers, and organising your characters’ intentions and obstacles.


Scene Case Examine: Steve Jobs

In a research of a scene from Steve Jobs, Aaron explains how excessive stakes, robust intentions & obstacles, and competing ways make for an thrilling scene to put in writing.


Scene Case Examine: The West Wing

Aaron analyzes a traditional scene from The West Wing: the scathing confrontation between President Bartlet (Martin Sheen) and Governor Robert Ritchie (James Brolin).


Writing Charming Dialogue

If you wish to write Aaron Sorkin-worthy dialogue, study from the grasp himself on easy methods to make music along with your phrases and put them to the check by performing your individual scenes out loud.


Dialogue Case Examine: The West Wing

Aaron does a deep dive into the musical nuances of dialogue within the Bartlet–Ritchie scene.


Rewrites: First Draft

Rewrites aren’t an indication of a foul script; they’re an indication of a great author. Hear how Aaron reworks and strengthens his screenplays in the course of the rewriting course of.


Rewrites: Notes

Rewrites aren’t an indication of a foul script; they’re an indication of a great author. Hear how Aaron reworks and strengthens his screenplays with assist from trusted advisors.


The West Wing Writers’ Room: Half 1

Aaron creates a digital writers’ room to “break” a part of the Season 5 premiere—an episode he’s by no means seen.


The West Wing Writers’ Room: Half 2

Aaron discusses what is required within the teaser of the present and easy methods to reverse engineer a plot.


The West Wing Writers’ Room: Half three

Aaron and the scholars proceed to work collectively to interrupt episode 501 of The West Wing.


The West Wing Writers’ Room: Half four

How can analysis drive the plot ahead? Aaron and the scholars focus on the restrictions of the 25th Modification as a plot level.


The West Wing Writers’ Room: Half 5

Take Aaron’s recommendation: When you could have nice characters, use them. Discover ways to preserve your protagonists lively.


The West Wing Writers’ Room: Half 6

Who’s obtained a foul concept? Aaron and the scholars run by varied plot concepts because the writers’ room continues.


The West Wing Writers’ Room: Half 7

As Aaron says, “You don’t should assault the viewers with plot.” The writers focus on the worth of pacing—plus the bounds of actuality inside fiction.


The West Wing Writers’ Room: Half eight

Aaron and the scholars wrap up the digital writers’ room and focus on classes realized.


Group Workshop: Pitch Session

You’ve obtained a screenplay—now it’s time to pitch. Study what questions Hollywood’s resolution makers will ask you throughout a pitch and easy methods to successfully reply them.


Group Workshop: Aaron Pitches Mission to Mars

Aaron turns the tables on his writers and pitches them his concept for a brand-new TV collection referred to as Mission to Mars.


Closing Ideas

Within the closing lesson, Aaron gives his parting knowledge and leaves you with yet another task that may final the remainder of your life.